Thursday, October 21, 2010

Boys of Summer, by Michael McLaughlin


I'm not really a huge fan of contemporary public sculpture. And I have to say that personally, I haven't been all that taken by the downtown Santa Cruz street sculpture that has become part of the scene through the auspices of SculpTOUR, though  I think many people have really enjoyed the new fixtures on Pacific Avenue, and I do laud the effort.

But I do like the "Boys of Summer" installation by artist Michael McLaughlin that appeared about a year ago. As it's Santa Cruz, and not exactly the Arctic, you'd expect these to be sculptures of surfers. But no, it's a series of two foot penguins that grace both sides of a block or so of Pacific Avenue. I see half of them pretty much five days a week as I walk to the bus station and they never fail to cheer me up a little after the work day. I find them marvelously expressive and give me a lot of hope for representational sculpture.

You can see a lot of these up close and personal on Cosmo Curiosity's photostream, but here's a nice group shot from when they first arrived from the sea. (Yeah, I don't know why they didn't sink either...)




There was a nice article about all this by Wallace Baines in our local paper if you'd like to know more.

13 comments:

  1. I tend to like good murals better than public sculpture, but that's one gracefully aligned group of penguins.
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  2. We've got murals too. A lot of them. In fact, I might make one muralist the subject of my next post here.

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  3. I mentioned the murals of San Francisco's Mission District in one of my Bouchercon posts, which included a photo. The ensuing discussion turned to Philadelphia's Mural Arts Program, which has put many attractive murals on city walls. The program published a calendar each year illustrated by the murals and may still do so.

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  4. I've been following along, but I will have to go back and look at the mural post more closely.

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  5. I devoted no post solely to murals, but two of the posts, in fact, are illustrated with murals. I spent a fair amont of time wandering about the city, which kept my camera fairly active, perhaps more so in the Mission District than elsewhere.

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  6. Oh, yeah, I remember them now that I look at them. I was remembering the street signs and addresses more.

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  7. That's been an object of fascination since I was a child: words functioning as display. I always liked signs. The murals thing came later. Of course, so did most of the murals themselves.

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  8. I was probably just trying to read the signs in my childhood, never mind thinking beyond them.

    I did enjoy Walker Percy on semiotics once I got to college, though.

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  9. You enjoyed Walker Percy in college; I pestered my parents to buy me a mock traffic sign that read "Enter Only Through Exit" on Cape Cod when I was a child.

    Your achievement is more impressive.

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  10. No, just happenstance. And right now, I'm trying to remember just how I happened upon Walker Percy. I came across a book called Message in the Bottle right after I dropped out, but there must have been some lead in.

    Lost in the mists of time, I'm afraid.

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  11. I read Walker Percy not long after I got out of college. If anything literary or artistic is lost in the mists of time for me, I'll usually assume I first encountered it in The New Republic.

    V-word: mompup

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  12. It's odd that the word verifier would echo Christopher Buckley's Losing Mom and Pup, especially after a comment about the New Republic. Not sure what it's driving at. Is it trying to comment that the magazine drifted a little further right since the time you read it, or just what exactly?

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  13. Or maybe just that the word verifier is better read than I am.

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